lundi 23 décembre 2013


By Pino Daeni
 from Italy (1939 - 2010)

 glicée on canvas; 28 x 28 in 

http://www.pino-artist.com/

Silent contemplation (2003)

Italian artist, his art and canvases elicit feelings of warmth, nostalgia, love and family. His paintings are often set on vibrantly sunny beaches on the Mediterranean where he grew up. Pinois noted for his exceptional ability to capture the movements and expressions of his subjects – a talent which has brought his artwork a worldwide following and private commissions to do portraits. 
Trained in Italy at the Art institute of Bari, and later at Milan’s Academy of Brera, Pino perfected his skills painting nudes and figure studies heavily influenced by the Pre-Raphaelites and Macchiaioli. After establishing himself as a successful artist in his native land, Pino immigrated to the United States, seeking more artistic freedom and opportunity. 
Pino’s technique, his warm and exciting colors and the subtle, but simple approach to his subject, are the reasons why his original paintings, his hand-embellished limited edition serigraphs, and his giclées are sought-after by collectors throughout the art world.

lundi 16 décembre 2013

By Laszlo Gulyas

from Budapest


 Hungary (b. 1960)Oil painting 

Laszlo Gulyas graduated at the Academy of Fine and Applied Arts. Laszlo continued his studies as a student of the Academy of Fine Arts between 1983 and 1987. He has been member of the National Society of Hungarian Artists since 1987.
The artist developed his individual world of images and acquired the painting techniques of the early masters of painting under the influence of the universal art of Rembrandt. This is what makes him distinct form his contemporaries. He seems to be charmed by the revival of heritage rather than by demolishing the art of painting or by recording its death struggle. In his works he applies the contrastive effects of the light and the shade with brilliant skills. Besides the clear colours his sketching appears to be remarkable.
The principal values of his gift are exhibited in his portrays of his family, which are full of vitality and harmony.

By Hans Fredrik Gude, from Norway (1825 - 1903)

Oil on canvas; 69 x 106 cm
Private Collection

© Sold through Blomqvist Kunsthandel, Oslo. May 2008

https://www.blomqvist.no/
Ved bredden av Chiemsee (1871)
Hans Gude was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism. He is associated with the Düsseldorf school of painting.
1837 - At the young age of 12, he took drawing lessons in Christiania (Oslo).
1842 - 1844 - He had private tuition from Andreas Achenbach, but he was a pupil in Johann Wilhelm Schirmer's landscape painting class at the Academy of Art.
1854 - He succeeded Schirmer as professor of landscape painting.
1860 - His early works are characterised by the Romantics' enthusiasm for dramatic mountain scenery and idyllic, sunny landscapes, but the focus of his interest shifted to coastal and marine subjects.
1864 - He returned to Germany, this time succeeding Schirmer as professor at the School of Art in Karlsruhe.
1877 - He undertook a study tour to Scotland, and during the summers of his Berlin years he spent time at Rögen on the Baltic coast as well as in Norway. In the coastal scenes of his late period, figures, fisherfolk or urban holiday guests on the beach, play a more important role than in his early landscapes.
1880 - He accepted a professorship in Berlin and led a "master studio" in landscape painting.
1893 - He received the St. Olav Grand Cross.


By :Johan Fredrik Eckersberg,

 from Drammen in Buskerud county,

 Norway (1822 - 1870)

Oil on canvas; 62 x 92 cm; 24.4 x 36.2 in Private Collection© Photo, Blomqvist Kunsthandel AShttps://www.blomqvist.no/



Romsdalshorn (1867)
Johan Fredrik Eckesrberg was a Norwegian painter most noted for his landscapes. Eckersberg was a prominent figure in the transition from Romanticism to Realism in 18th century Norwegian art, both as an artistic painter and a teacher at his own art school in Oslo.
Rapidly developing his talent for painting, Eckersberg trained at the School of Drawing ( Tegneskolen), under Johannes Flintoe (1843-46). He obtained one of the Government stipends for young artists and went to Düsseldorf, where he studied landscape painting under Johann Wilhelm Schirmer (1846–48). During the summer of 1846, Eckersberg follow Hans Gude and August Cappelen on a study trip to Gudbrandsdalen, where they visited Vågå and Lom. He returned to Christiania in 1848, where his works commanded a very fair sale. Eckersberg was plagued by bad lungs and needed a to stay in a warm climate. In 1852, he was obliged to visit Madeira for his health, where, having first devoted his time to portrait painting to increase his rather slender funds, he traveled over the island, making sketches, from which he afterwards painted his magnificent series of pictures of Madeira.
In 1850, he was admitted as a member of the Norwegian Academy of Fine Arts, which served as the country's highest artistic authority. He also sat on the board of the National Gallery and Drawing School (1851–69) and the board of the Christiania Art Society from 1864. In 1859, he established an art school in Lille Grensen in Christiania. A number of later famous painters were students at his art school, including Gerhard Munthe and Christian Skredsvig. After his death the school would be continued by Morten Müller and Knud Bergslien. Every summer from the date of his return to Norway he visited the most grand and picturesque spots in his native country, making sketches from which he afterwards elaborated his pictures


By Daniel Gerhartz, from Wisconsin (b. 1965)

Oil on canvas; 60 x 30 in https://www.facebook.com/gerhartzstudioTendril of spring


Born 1965 in Kewaskum, Wisconsin, where he now lives with his wife Jennifer, and their young children, Gerhartz ‘s interest in art emerged as a teenager. Studies at the American Academy of Art in Chicago, Illinois and his voracious appetite for museums and the modern masters such as John Singer Sargent, Alphonse Mucha, Nicolai Fechin, Joaquin Sorolla, Carl von Marr as well as a host of other French and American impressionists have inspired him.

Gerhartz has a particular interest and appreciation for modern Russian art and the sumptuous canvases of the painters Nicolai Fechin, Isaac Levitan and Ilya Repin. As Dan says, their paintings are “completely loose yet deliberate and faithful, not at all flashy.”





By Vladimir Volegov, from Russia (b. 1957)

Oil on canvas; 91 x 122 cm http://www.volegov.com/https://www.facebook.com/VladimirVolegovOfficial Emerald bay(2013)




By Sergei Vinogradov, from Kostroma Province, Russia (1869 - 1938)

Oil on canvas; 80 x 102 cm © MacDougall's, Leaders in Russian Art, London
Collection of the Soviet oper
a singer Elena Katulskaya. Acquired directly from the above by the present owner
Authenticity of the work has been confirmed by the expert V. Petrov
At auction on 27 Novemeber, 2013 (250,000 - 500,000 GBP)

http://www.macdougallauction.com/
Authenticity of the work has been confirmed by the expert V. PetrovAt auction on 27 Novemeber, 2013 (250,000 - 500,000 GBP)http://www.macdougallauction.com/Women by the sea (1915)


"Sergei Vinogradov is among those eminent masters whose work gives a vivid picture of the development of the Russian plein airgenre in the first two decades of the 20th century. In the 1880s, influenced by prominent teachers such as Vladimir Makovsky, Vasily Polenov, Illarion Pryanishnikov and, later, Bogdan Villevalde, Vinogradov perfected the skill of narrative painting, bringing a freshness of perception and richness of colour to the Russian genre style, and freeing it from dark “umber” tonalities. Thanks to his virtuoso draughtsmanship and excellent compositional gift, Vinogradov created works on a par with those of his teachers. Robust drawing meant that Vinogradov, unlike Korovin, could keep a tight hold on the form of his subjects and achieve a brilliant impressionistic effect without compromising other aspects of the work.
This marvellous canvas, Women by the Sea, is unquestionably one of the most important works of Vinogradov’s Russian period. The main impact of the work comes from the highly striking relief effect, but it is also striking for the ease with which the artist achieves a highly complex saturation of colour, in the blues of the water and the expanses of the sky. According to the painting’s previous owner, the prominent Soviet opera singer, Elena Katulskaya, the girls in the picture are the daughters of the legendary Russian opera singer, Feodor Chaliapin, strolling by the shore of the Gulf of Finland. It is probable that the painting Women by the Sea, presented for this auction, was exhibited at the opening exhibition of the Union of Russian Artists in 1915–1916."



dimanche 15 décembre 2013



Le [repli sur soi] est nécessaire pour un temps très court afin de réfléchir et de rester seul face à soi-même ...


Mohamedbahjet Sliman 
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Aimer la vie, aimer ceux qui nous aident à vivre, aimer tout ce qui embellit notre existence ne suffit pas toujours pour trouver la force de continuer de vivre ... Parfois, l'incertitude et le doute nous empêchent de croire en un avenir positif ... La menace et la peur nous paralysent. Nous perdons notre confiance en nous-même, nous nous sentons incapable de parvenir à créer ou à obtenir ce que nous désirons. Nous n'avons plus d'espoir. Nous nous sentons isolé, séparé des autres, coupé du monde, en dehors du mouvement, en marge du temps. Le découragement s'empare de nous. Nous sommes en danger...
"Vivre sans espoir, c'est cesser de vivre" disait Fedor Dostoïevski. Nous avons besoin de cette force pour nous dépasser, pour nous relier au monde et pour croire en la possibilité d'un futur heureux...
Psychiquement, nous sommes créés par notre rêverie. Créés et limités par notre rêverie, car c'est la rêverie qui dessine les derniers confins de notre esprit...
    " Les  spectateurs ne trouvent pas ce qu'ils désirent, ils désirent ce qu'ils trouvent... "

lundi 9 décembre 2013